A FOUR PART LOOK AT THE TUCSON, ARIZONA SOUTHWEST TERROR FEST 2014 – Part Two

Daily Flyer

Daily Flyer

FRIDAY, OCTOBER 17: MAIN SHOW

 

The second night of the Festival was deemed as the first “official” night for the fact that it was the first night of the “main” shows. My friend was coming along with me, and we were both pretty excited. The venue for the main shows this weekend was a venue called The Rialto Theatre, also in downtown Tucson about 45 seconds away from the District. The venue was chosen by the organizers due to being closer to hotels, food, and other accommodations than the prior venue (in 2012 and 2013) known as The Rock.

 

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A FOUR PART LOOK AT THE TUCSON, ARIZONA SOUTHWEST TERROR FEST 2014 – Part One

The Southwest Terror Fest in Tucson, Arizona just concluded this past Sunday (Oct. 19), and for the third year in a row, the organizers of the festival brought in various acts; in some cases, bands that had not played in Arizona, much less Tucson, for years, or if ever.

The festival’s first year was in 2012, and it wasn’t until the second fest when it finally came to my attention, due mainly to the band Subrosa being part of it. The lineup wasn’t too intriguing, but I love Subrosa, so I knew that I had to go. However, come October 2013, I was going through medical issues dealing with a herniated disc in my lower back. I wasn’t able to attend the festival that year (as well as missing out on the Alcest/Anathema show a few weeks prior), so I was restricted to waiting for this year’s lineup to be announced instead.

The wait was worth it. Acts like Goatsnake, Neurosis, and the mighty Sunn O))) were enough to make me buy tickets. The rest of the line up was icing on the cake. Suffice to say, I got to experience something new to me in more ways than one.

 

 

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A TMO Interview With Ningen-Isu

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Dubbed by their countrymen “the Japanese Black Sabbath”, Ningen-Isu has been active in their homeland since forming in 1987. Despite the band beginning to gain worldwide acclaim, their name is still not commonly known among metalheads outside of Japan. The Metal Observer was recently granted the opportunity to interview these Japanese legends on the heels of releasing their eighteenth album, Burai Houjouo, in June of 2014, which could very well be one of the band’s only, if not THE only, interview in English.

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TMO x10 – Breaking Band: The Battle for a Name

TMO Logo Griffin logo x10 band splits blackMetal has had its fair share of oddities and curiosities, and more than once, as it happens, like a two-headed beast fighting over a shared body, we come upon two bands of the very same name, an unusual instance that often spawns tensions and lawsuits. TMO has gathered the 10 most prominent of these cases, looked into how they came to be, and then at whether or not a solution was ultimately found.

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A Beginner’s Guide to the World of Japanese Power Metal

Japanese Power Metal

It can be bizarre. It can also be off-putting. But it’s an entirely new realm of the sub-genre that can afford some great new bands and masterpieces to listeners. The power metal scene has really blossomed since the arrival of X Japan in the ’80s, and since then it’s been taken to new heights and limits.

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