Belzebubs - Pantheon of the Nightside Gods - (9.5/10)
Published on April 28, 2019
Hear the Blackened Call!
While listening to the epic and dark soundscapes of Pantheon of the Nightside Gods you would never guess that it originates in a man’s random doodling. I’d like to start by taking you on a little storytelling spree to make sure you understand the unique context that allowed Pantheon of the Nightside Gods to come into being. Belzebubs started out as a self-therapy idea for Finnish visual artist JP Ahonen, where he would just draw whatever came to mind when he would need to alleviate his stress. Turns out the stuff was too good to stay locked up in a drawer and it wasn’t long until the world was introduced to Slöth, Obesyx, Hubbath and Samael, the characters that became the comic book black metal band Belzebubs. As the snowball effect brought more fans to the comics and more ideas to the creative mind behind it, even a whole Belzebubs book was released and it was only a matter of time until we all needed to hear what the four corpse-painted twats actually sounded like.
Now whether you know the comic or not, you really have to shake off the humoristic expectation that it sets if you want to really relate to the music. This is top quality melodic black metal and if you didn’t know where it originates, you wouldn’t think for a second about chuckles and jokes. The album sounds the way Insomnium would if they decided to take a more black metal turn. It’s loaded with epic soundscapes, menacing riffs and growls, virtuous guitar solos and a rich orchestral coating surrounding it all. Now the music is fictionally played by the comic book characters and God forbid should we know the real line-up but the sound references mentioned earlier could hint out towards real people… more specifically towards the elite vocalist from the aforementioned band whose growl is unmistakable . The instrumental also has me suspecting that he may not be the only member of the band involved in this project but I would dare to guess no further. But while we’re on the subject of real people, you might be happy to hear of some exciting guest performances from the likes of ICS Vortex (Dimmu Borgir, Arcturus, Borknagar) and Lindsey Schoolcraft (Cradle of Filth).
Having set the expectation for the sound, lets get into more detail shall we? The album sounds dark and majestic and has a ferocious driving force pushing the songs forward. It’s packed with energy and aggression and feels relentless and captivating in its power. However it’s also very melodic and immersive with a lot of emphasis placed on creating the right atmosphere. I found this record tagged as melodic black metal but to me it sounds more like a symphonic melo-death record. This means there’s a lot of room for the orchestral parts to shine and for some truly heart-melting guitar solos to make their way into the storm. The black metal influence is obvious though, adding that raw guitar sound into the riffs, some great tremolo picking sections and the uncompromising blasting drum section. Top it all with incredible growls, give it a progressive tinge, amp it up with Dan Swano’s mixing and mastering magic and you’re all set. That pretty much sounds like a bullet-proof recipe. But the twats don’t settle there.
Starting with the sixth track “The Crowned Daughters” the album takes an unexpected turn starting on a clean guitar intro. It also brings clean singing and it actually reminded me of Opeth’s Sorceress album particularly the song Will O’ the Wisp. The song doesn’t fail to turn heavy but stays darker, slower, and soon flows directly into “Dark Mother”. From this point forward the album keeps a black metal direction and is darker, more unpredictable and cinematic and overall more mature. Then the title track throws another curve ball with the somber piano intro and rich cinematic string section bringing the symphonic elements all the way to the fore-front. The surprise factor is through the roof, and they don’t need to overload the music to get it done. It’s all about timing, inspiration and giving the ideas room to breathe. Eat up another shock as the final two tracks unfold in full serene darkness of symphonic mastery without a hint of growls or metal instruments. I loved this direction that they took, kicking off out of a canon and shifting to an increasingly more symphonic and cinematic direction as the album progresses.
Combining the fictional band context with the dark majestic music leads to this being the most original album released this year in my humble opinion. With such beautifully crafted music we don’t even need to know the real line-up as the characters become more real than humanly imaginable. While the record streams, it’s as if they evolve from the hilarious familiar figures and the music allows them to fully come to life. In just x minutes they completely won me over and I still have a hard time wrapping my head around how these seemingly simple black and white doodles could lead us on a journey of such epic proportions. I hope you can relate once you step inside the Pantheon and I wish you a pleasant Belze-listen as I leave the Nightside Gods to possess your soul!