Bloodway - A Fragile Riddle Crypting Clues - (9/10)

Published on November 24, 2017


  1. Not Whom, But Where
  2. The Startling Grotesque
  3. Don't Wake the Void
  4. Midlight Scout
  5. Prison Paradise
  6. The Incident
  7. Encounters to Pray For
  8. A Fragile Riddle Crypting Clues


Progressive Black


I, Voidhanger Records

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A Romanian Riddle


Romania is not thought of as a large source of good metal but over the years, bands like Negura Bunget, Dordeduh, and An Theos have proven that there is life in the Romanian scene. All three of those bands have produced incredible music that is genuinely unique. They have established themselves as great bands that are here to stay. Now there is a new player in the Romanian scene who are a little different but equally unique. Hailing from Bucharest, Bloodway are a progressive black metal band who, just this month, unleashed their sophomore album, A Fragile Riddle Crypting Clues, on the metal world.



Unlike many black metal bands out there today, Bloodway actually brings legitimately good riffs to the table. Yes, lo-fi production and speedy tremolo picking are very much a part of this album as they are with almost every black metal band out there. The difference here is that Costin can and does really riff. His melodies are often rather simple and the riffs are sometimes short but they are always purposeful and powerful. Take the riff-melody sequence starting around the five minute mark of “Don’t Wake the Void” for example. The riffs are not huge but they pack a punch and Costin’s melodies are both sad and hopeful, reflecting the dark reality that was not supposed to be. This is the way Costin writes and it is why Bloodway is such an interesting listen. The opening riff of “Midlight Scout” is pretty heavy for black metal and it sticks with you because it is such a good riff. Even Costin’s tremolo picking is often heavier and more interesting than normal. The last minute and a half or so of “Midlight Scout” is almost non-stop tremolo picked riffs but it goes back and forth between the heavy tremolo, the mid-quality tremolo and the fast and furious, ultra kvlt tremolo we all know and love.



If you listen closely, you can hear Mihai’s bass booming in the background on most of Bloodway’s songs. Sometimes, it comes more to the forefront and catches you by surprise because his lines are so simple and yet so groovy. Alex Ghita is the real star here though. His work behind the kit is straight up incredible. He showcases so much variety back there and at no point does he resort to blast beats or double kick. Alex opens “Encounters to Pray For” by repeatedly hitting the sticks together in such a way that it sounds like a call to war and then he lays down some awesome fills and beats that keep the song firmly in high gear. It does not stop there as Alex does some pretty sweet things with cymbals and rim hits all throughout this album. The cymbals are sometimes a touch too high in the mix but most of the time they perfectly accent Costin’s great riffs. If you still need convincing, the title track is a brilliant encapsulation of Alex’s talent and skills behind the kit. Drummers rarely stand out for something other than speed in black metal but Alex shines on this album and as a result, so do Bloodway.



Costin’s vocals are a real polarizer, even among black metal fans. Some would call them atrocious or hard to listen to and others just call them unique. They are definitely off-putting at first but once you get used to them, you start to understand his approach somewhat. Costin conveys what most black metal vocalists try but ultimately fail to convey, true torture and anguish. His deliver is not one of sorrow because he is not sad. He is a tortured soul suffering eternal anguish over faded dreams and the harsh, nightmarish reality in which we live. Technically, the best comparison to make is to Varg in the early days of Burzum because they are exceptionally harsh and sound a bit like a dying cat. Varg did it to be minimalist and used the cheapest equipment he could find so naturally, it sounds like shit. Costin’s delivery is purely one of choice as there is nothing cheap or bad about the equipment being used and he is not going for a stripped down approach of any kind. It truly sounds tortured and pained but it gets the message across loud and clear. He does it for the right reasons, it works for him, and you know what? Even if you do not have the lyrics in front of you (which you should because they are great lyrics), you can understand most of what Costin is saying in these songs. It may be an off-putting delivery but it works incredibly well for him and for Bloodway. He even throws in some cleans every once in a while to keep you on your toes.



Bloodway is not for everyone. They will not even appeal to many stalwart black metal fans but to the fans, they push all the right buttons. They are doing things that are unique without overdoing them. When you put all of that together, what you get is an excellent sophomore album from a great Romanian band. If you enjoy black metal that is thoroughly off the beaten path, Bloodway may be the band for you. Even if the vocals keep you from enjoying it, at least the music is interesting and not the same, rehashed second wave worship you have heard a million times.

Eric Ward

Author: Eric Ward

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