Cân Bardd - The Last Rain - (9.5/10)

Published on February 17, 2019

Tracklist:

  1. Between Hope and Reality
  2. Celestial Horizon
  3. Fog of War
  4. Clouds and Feuds
  5. The Last Rain

Genre:

Atmospheric Folk / Black

Label:

Northern Silence Productions

Playing Time:

50:44

Country:

Switzerland

Year:

2019

Website:

Visit page

Cân Bardd is an atmospheric folk black metal solo project from Switzerland by multi-instrumentalist, composer and vocalist Malo Civelli. With his debut album out less than one year ago, he is already approaching the release of his second full-length titled “The Last Rain”, coming on February 22nd. And it came to me as quite a surprise because you just don’t expect that such an unknown name would write and release good and relevant music in such a short time. But that’s exactly what this guy did. This project sounds new and unusual in all the right ways and so far it’s probably the best album I’ve heard this year. 

 

Seeing song lengths around the 10 minute mark and an album composed of only five songs, you should pretty much expect that this is gonna take patience. And when you play the first track you may be tempted to dismiss it right away as a really slow and dragging acoustic harmony opens the album with more silence than notes for over one minute. But please don’t! Wait through it and give this 15 minute song at least one full listen before jumping to any conclusions because it’s a thing of beauty. As the artwork and titles may suggest, this is very nature oriented music and it’s done right. It’s the kind of music that makes you see mountains and forests and unspoiled natural landscapes. And the slow pace of evolution really connects with that.

 

 

The way such different elements come together in this album is incredible. There are slow folk sections with no hint of metal that will really take their time and build a very peaceful mood that will have you envisioning yourself away from civilization or technology. Using a lot of acoustic guitar (or maybe classical?), piano and keyboards, a pretty meditative mood is created and if you stick with it for a while it will allow you to slow yourself down to its pace so that it doesn’t get boring. It’s not instant gratification but real, genuine enjoyment that you have to internalize in order to really feel it. But fear not because the metal will eventually come and it will either slowly creep over this ambiance or crash down all at once. Either way, the peaceful atmosphere stays through it. That’s what’s most amazing. This guy will actually throw blast beats, tremolo picking and wild black metal shrieks at you without hurting the immersive atmosphere. And that dude on the drums did some really savage work. There’s a very natural flow in the music that is given by the continuation of some melodies from the soft parts into the heavy ones. A melody that was soothing when played on acoustic guitar will become epic when moved on tremolo picking and backed by the grinding drums that never overpower it. No matter how aggressive the music gets, these uplifting soaring melodies always shine through and in the end the album maintains a surreal blend of raw power and untainted clarity. Then there’s the final touch of beauty and majesty in the smooth coat of keyboard synth that hovers above all the other layers giving the sound that “breath of fresh air” effect.

 

A few brilliant touches added to this blend of contrasts make it a real masterpiece. There are some very well placed chants of layered clean vocals sounding like anthems and some guest vocals that sprinkle a little variety. Another great idea was the “tribal” percussion and scream part in “Celestial Horizon”. But my favorite twist in the album is the third song, “Fog of war”, which is a five minute interlude consisting of piano, strings and acoustic guitar that are then complemented with a great use of cello before flowing into the next song as the heavy guitars kick in.

 

The whole composition is then brought to life through a very well executed raw mix that allows some elements to sound clean and a bit processed without straying away from the organic roots that bring the album its unique and lively feel. The result is a fifty minute album that I want to take to the mountains and listen to on repeat with a spectacular landscape in front of me and if nature would be on my side, a bit of mist and a slightly rainy scent in the air. But until you can get to that place, Cân Bardd still does a great job at bringing the spirit of nature in the comfort of your own home.

Author: Andrei Dan

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