Eclipse - Paradigm - (6.5/10)
Published on October 13, 2019
Paradigm is the seventh album from Swedish rock outfit Eclipse. While it’s primarily a hard rock album, it crosses the line between rock and metal enough that it can’t definitively be considered one or the other. As such, it’s safe to expect a super catchy album that offers both the weight of heavy metal and the fun-loving lifeblood of hard rock.
But the genre crossovers don’t quite stop there. To get a better idea of what Paradigm offers, think something along the lines of pop-punk vocals over contemporary riffs, tame rock drumming, poppy mastering and song structure, all with a metal undertone. I know it doesn’t really sound promising when put like that, but it actually allows for a ton of sick hooks and memorable tracks. Sure, there aren’t a whole lot of flashy performances (although, it’d be impossible not to recognize the fantastic performance of vocalist Erik Martensson), but songs like ‘Viva La Victoria’ and ‘Mary Leigh’ make up for it in charisma and energy.
Anyway, since you’re here, chances are you’re at least kind of a metalhead. So, of course, I’d damn-well better get to the most metal parts Paradigm has to offer! The rhythm guitar lines and tone are mostly responsible for the heavy metal undertones throughout the album, but tracks like ‘Delirious’, ’38 or 44′, and ‘The Masquerade’ unleash a melodic metal massacre, trading the rock riffs and overall sound for an aggressive (albeit still poppy) bite that is undoubtedly metal in every way.
The biggest thing setting Paradigm back is the amount of filler tunes. While there are five tunes which I really dig (all of which I’ve mentioned already), a few songs, namely ‘Never Gonna Be Like You’ and ‘United’, fail to strike any impact beyond offering a few minutes of passable music. If more of the songs were similar in quality to its best, I would consider this album excellent but, you know, that’s not the case.
All in all, Eclipse has made another really good album in Paradigm. Unfortunately, as is the case with 95% of hard rock albums, it falls victim to basic, stock-variety songwriting. That being said, this album is still a lot of fun, and its high points make the entire album worth checking out.
Originally written for PowerThorn.com