Sahg - III - (8.5/10)

Published on January 11, 2011


  1. In Through The Eye
  2. Baptism Of Fire
  3. Mortify
  4. Hollow Mountain
  5. Mother's Revenge
  6. Downward Spiral
  7. Shadow Monument
  8. Burden
  9. Denier
  10. Spiritual Void


Doom / Heavy Metal


Indie Recordings

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Doom metal doesn’t always need to be a depressing and slow-churning affair. Sure, the grim atmosphere and melancholy mist that surrounds the genre’s mournful vocals and booming bass-play are two key elements to what doom can ultimately be – onomatopoeia, no doubt – but said vocals and four-string action can likewise be whipped into something remarkably vibrant.


Case in point is the third full-length release by Norway’s super-rocking quartet, Sahg. Simply titled III, Sahg play a boisterous brand of doom and heavy metal on their new album, harking back about 35 or 40 years and into a time when 1970s heavy metal and the grooving evil riffing of Black Sabbath’s Tony Iommi and Geezer Butler could do no wrong.  



In the vein of Grand Magus and the aforementioned Black Sabbath, Sahg do an excellent job of re-instituting the sound of the old into the realm of the new. It’s a modern reboot that really outshines all other impostors and blowhards that would rather tongue-bathe their heroes and instead of paying a respectful homage. It’s not the most original album of the year, but goddamn if it’s not one of the most well-rounded and memorable.



Best blared, Sahg play a huge, melodic style of doom and heavy metal. Traditional rock and roll song structures are used to great effect and III ensures a full and lasting listening experience that demands replay value with its large assortment of awesome hooks and meaty, pounding rhythms. Vocal duties are once again in the charge of Ozzy-ite extraordinaire Olav Iversen who delivers an impeccable performance of well-timed bravado singing.


Although the album’s closer “Spiritual Void” is less mighty than III‘s other eight full tracks – track one is a quick instrumental intro – there is truthfully not a weak or mediocre song in the recording. “Baptism of Fire” gets things rolling with some mean metal riffing and a soaring chorus; “Hollow Mountain,” my favorite on the album, is a huge and expressive doom showcase that has bassist Tom Cato Visnes of Gorgoroth fame hammering his strings with all his strength; and “Denier” is an energetic jolt of all things metal with its incredible pace and astoundingly cool chorus.


If you’re a doom fan, a Black Sabbath fan, a Grand Magus fan, or just your everyday metalhead, give Sahg’s III a whirl. This one deserves your attention.

Evan Mugford

Author: Evan Mugford

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